Denver Museums: Hidden in a Library, Part II

When I ascended to the top floor of the Blair-Caldwell African American Research Library in Five Points, I had the Western Legacies gallery all to myself, except for the voices (1) talking about the Black Seminoles in a video and (2) greeting customers entering a barbershop run by a black resident of Denver.Blair Caldwell Library museum barber Denver Sep 2009

Despite the competing recordings, I lingered in the exhibit for the barbershop. The mirrors (not shown in the photograph) magnified the space, and there was something elegiac about the chair sitting there empty.

The exhibit honors Robert Smith, an early Denver barber who freed his family from slavery and brought them West. His son followed in his footsteps as a barber in Denver, one of the independent occupations open to black men in the first part of the twentieth century.

Next to that room is another, smaller room describing the career of James Presley Ball, “one of the earliest and most accomplished African American photographers of the 19th century.”

There is so much more than these two rooms I’ve described. I have to confess I spent so much time in that part of the museum that I didn’t have the energy to explore the rest in any detail. Here are a few things I learned while watching the video about the Black Seminoles:

  • They were slaves who escaped to Seminole territory in Florida and lived among the Seminole Indians in separate villages.
  • The Seminoles comprised members of such southeastern tribes as the Muscogee Creek, Miccosukee, and Apalachicola.
  • Describing the status of Black Seminoles is complicated, because some of the Indians in Florida owned slaves, but their concept of slavery was generally less draconian than that practiced in the British colonies.
  • The Seminoles were expelled from Florida in 1838 and embarked on the Trail of Tears, which led to Indian Territory (now Oklahoma). The Black Seminoles who survived were threatened with slavery once again. In the 1840s, a few Seminoles escaped to Mexico, where the government employed them as militia fighting, ironically enough, the Indians.
  • In the 1870s, the US government employed Black Seminoles as army scouts in the Texas Indian wars. Many eventually settled in Brackettville, Texas.
  • Recently, the Seminole Tribe of Oklahoma decided to exclude the Black Seminoles (called Seminole Freedmen) from membership, thus denying the Freedmen any share of the compensation the US government gave the tribe for its expulsion from Florida.
  • Nowadays Black Seminoles live from Oklahoma to Texas to Mexico to Florida to Andros Island in the Bahamas.

Denver Museums: Hidden in a Library, Part I

I found things I hadn’t expected on every floor of the Blair-Caldwell African American Research Library in Denver’s Five Points neighborhood. So much so, I might just check out all the branches of the Denver Public Library to see how they differ.

First of all, two bronze and mosaic reliefs grace the front of the building at 25th and Welton (on light rail). They were designed by Thomas Jay Warren and cast at Fedde Bronze Works on 38th Avenue in the Park Hill neighborhood.African American Research Library Mural Denver May 2009

When I walked around the first floor, which the website calls a “full-service branch library,” I was struck by how small it seemed. Perhaps it’s unfair to compare a branch library to the Mamie Dowd Eisenhower Library in Broomfield, which serves a city and county and has more than 144,000 books. The library in Five Points has 32,000 items total in its main collection.

But the main floor was busy, with people checking out the magazines, DVDs, and CDs, many of which were in Spanish (e.g., Crónica del Holocausto), and using the computers. The fiction collection featured books with African American characters.

I searched for an urban fantasy series I read earlier this year, the Negotiator series by C. E. Murphy. It was a literary series featuring a lawyer in New York City who just happens to end up representing dragons, gargoyles, and vampires as they struggle to survive in the modern world. This character, Margrit Knight, also happens to be black, but I noticed the picture on the front cover makes her look more white than not. It reminded me of debates in the publishing world about how putting black people on the cover of a novel means it won’t sell.

I didn’t find the C. E. Murphy books on the shelves, but they might be in the catalog. I didn’t look.

The hallway that leads to the main collection holds several tall glass cases celebrating Barack Obama’s election to the presidency. As I checked out all the election swag, I wished I’d bought some of the T-shirts I saw during the 2008 Democratic National Convention in Denver. They would be conversation pieces in later years. There were dolls and comic books and buttons and newspapers from around the world, including USA Today: “America Makes History: Obama Wins.” Reading those papers still gives me a thrill and makes me sad at the same time: I’m happy that we have a black president, but I can’t wait for a woman president.African American Research Library Main hallways  Denver Sep 2009

On the second floor, in the collection archives and research library, I found this book: Black Women for Beginners by S. Pearl Sharp. One thing among many I learned from the book: In the 1860s, Mary Ellen Pleasant sued San Francisco for removing her from a streetcar and won. Thereafter, streetcars were integrated.

I could probably spend the rest of my life going from libraries to coffeehouses to chocolatiers and back. My sixth-grade class prophesied I would rewrite the English lexicon, and although I didn’t quite get there, I did copyedit for local presses for more than a decade. That’s close enough to make me shiver.

What’s your favorite thing about your local library?

Black American West Museum in Denver’s Five Points, Part III: Dearfield

In 2010, Dearfield, Colorado, will be 100 years old. Nowadays, it’s a ghost town. Between May 5, 1910, when it was founded east of Greeley, and the Depression, its residents managed to survive, and even thrive, as dryland farmers. In its prime, it had 700 residents; in 1940, the census counted 12.BAWM Exodusters Denver Aug 2009

Dearfield was one of many black towns founded in the United States after the Civil War. When black people in the South realized that Colorado would allow them to homestead, they began moving west (see “The Exodusters,” a note from the BAWM). The problem was that, by the turn of the twentieth century, most of the productive land had been claimed. Oliver Toussaint Jackson, the founder of Dearfield, tried to buy land but was unable. After he got a job as messenger for the governor of Colorado, he sold the governor on his idea and established his town on government land that had recently opened up.

The homesteaders were poor, and their first winter was difficult. But by 1916, 53 families farming 5,000 acres brought in their first marketable crop, worth $50,000.

One of the remarkable stories I learned from the Dearfield documentary (shown at the Black American West Museum in Five Points) is that the local school was integrated—and that during a time when the KKK was gaining power in Colorado. White residents interviewed for the movie remembered that race didn’t matter at school, but black residents recalled feeling slighted at times. (And here we are today in the “postracial” era…)

Water usage, however, was not integrated. Dearfield residents had no rights to water flowing through the local ditch. Luckily, one homestead had lakes on it, and before the white residents could make good on their threat to pump that water for their own use, the owner took the train to Denver and filed a claim on the water in her lakes.

Today the Black American West Museum owns most of the lots in Dearfield and is exploring ways to preserve the site. In 2010, the museum plans to have a celebration in Dearfield to commemorate the 100-year anniversary of its founding.

Black American West Museum in Denver’s Five Points, Part II

“There’s no such thing as a black cowboy,” Paul W. Stewart was told as a boy. But years later, as an adult, he met a black cowboy, which inspired him to scour the American West for evidence of their existence. The artifacts he collected can be viewed at the Black American West Museum (BAWM), which he founded in 1971. In the 1980s, his collection came to rest in Justina Ford’s house. As in any other “house museum,” the exhibits have been squeezed into the space as best they can. BAWM upstairs with reflections Denver Aug 2009

When I visited BAWM last week, I was given a brief tour by a docent and then encouraged to watch a 30-minute film about Dearfield, an all-black farming community founded in 1910 east of Greeley. I’ll write about that tomorrow.

Today I want to talk about what I learned at the museum, which is “dedicated to collecting, preserving and disseminating the contributions of Blacks in the Old West.”

One room upstairs is dedicated to African American military service, and in addition to the Buffalo Soldier exhibit, I noticed a plaque from the University of Denver’s Center for Judaic Studies to Lieutenant Colonel John Mosley, thanking him and all the 1 million African Americans who served in World War II for helping to fight Nazism.

I hadn’t realized that number was so high. It must have been quite a shock for those men and women to return to the United States after World War II—and to Jim Crow. No wonder the civil rights movement grew so strong in the decades following World War II.

Another corner holds household items, including an ivory-colored wedding shirtdress and the oddest item I saw: a mirror decorated with deer hooves. BAWM deer hoof mirror Denver Aug 2009After that, the tools no longer used (grinding wheel), BAWM grinding wheel Denver Aug 2009or the rodeo equipment unfamiliar to me (bosals), seemed positively commonplace.

The museum offers so much that I could not absorb it all, but here are a few other notes I jotted down:

  • The Five Points neighborhood in Denver was one-half built out by 1890; the rest was finished by 1914. It was a white community until the 1920s.
  • The Atlas Drug Store, at 27th and Welton, was the only one in Denver where African Americans could sit at the counter. I wonder if that is where Blackberries coffee shop sits now.
  • From a picture upstairs: “Bill Pickett invented the art of bulldogging. Pickett would jump from the horse onto the steer’s neck, twist its neck and sink his teeth into its tender nose or lips, driving the steer to the ground.” That sounds mean, I think.
  • J. H. P. Westbrook, a black man who passed for white, infiltrated the KKK in Denver in the early 1900s and informed the black community of their plans.
  • Lloyd Hall filed 100 patents for food preservation and sterilization.
  • Lonnie G. Johnson’s company invented the Supersoaker.
  • The wrench was invented in 1922 by a black man named Jack Johnson. [See comment below for correction. The first wrench was invented in 1835; Johnson patented a new version.]
  • Among the many pictures of historical figures and donors on the wall, I noticed a picture of CU Professor Charles Nilon. When I worked for Fiction Collective Two at CU-Boulder in the late 1980s and early 1990s, the press instituted the Charles N. and Mildred Nilon Award for Excellence in Minority Fiction (now defunct, as far as I can tell from the FC2 website). The first award went to Melvin Dixon for his novel Trouble the Water.

I like going to a new place and finding a connection to some bit of my past.

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Note: The museum’s executive director, La Wanna Larson, allowed me to show some photographs on this blog, but in general, the museum does not allow cameras inside.

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Check out the Earthworks Expo at the Merchandise Mart this weekend.

Museo de las Americas is holding its Spanish happy hour Friday from 5 to 8. This month it’s hosted by Rebecca Caro of the blog From Argentina with Love.

Black American West Museum in Denver’s Five Points, Part I

For years I’ve wanted to visit the Black American West Museum (BAWM). Last Tuesday, I finally set foot inside Dr. Justina Ford’s historic home, where the museum’s collection is now located.BAWM (Black American West Museum) exterior Denver Aug 2009

Justina Ford was Denver’s first female doctor, as well as the city’s first female African-American doctor. She was the only female doctor in Denver from 1902 until at least 1930. She graduated from Chicago’s Hering Medical School in 1899, quite a feat for a woman in those days.

(Elizabeth Blackwell, the first American woman to earn a medical degree, graduated in 1849. According to encyclopedia.com, “In 1864 Rebecca Lee became the first black female to receive such a degree when she graduated from the New England Female Medical College [now Boston University School of Medicine].” There are several African-American men credited with various firsts in medicine: James Derham was the first to formally practice medicine in the United States, in the late 1700s, but he did not have a degree.).

After Ford’s house was threatened with demolition in the early 1980s and then preserved with the help of neighbors and the BAWM, it was moved from 2335 Arapahoe to its current location at 3091 California (near the Downing and 30th station on light rail). The downstairs room where I watched a movie about the black pioneer town of Dearfield, Colorado (more on that later this week) was her office, and she slept downstairs in order to hear patients ringing the doorbell in the middle of the night. Her husband slept upstairs.

Dr. Ford said she had delivered 7,000 babies during her years as a practicing physician. She treated patients at her home, and if they needed services she could not provide there, she sent them to Denver Health Medical Center. If they mentioned they had seen Ford, however, the hospital would not treat them (at least, in the early part of her career).Toward the end of her career, she was awarded hospital privileges, but until then, she cared for the underprivileged at her home.

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In the next installment of this series, I’ll talk about found BAWM founder Paul Stewart’s search for memorabilia relating to black cowboys. Historically, about one-third of cowboys were black, one-third were Latino, and one-third were white. I’m not sure what percentage of cowboys and cowgirls were American Indian, but some Indian tribes, such as the Navajos, began running sheep and cattle on their lands soon after the Spanish introduced those animals to North America in the 1500s.

I’m unfamiliar with the history of Asian Americans in ranching, but the website of the Oregon Historical Society has this to say: “According to the 1890 census, there were 55 non-white stock raisers, herders, and drovers in Oregon. This number included African Americans as well as Chinese, Japanese, and Native Americans.”

Downtown Denver Museums: Firefighters Museum

Downtown Denver Firefighters Museum May 2009Denver Firefighters Museum
1326 Tremont Place
upper downtown Denver
303-892-1436
Admission: $6
Hours: closed Sunday and holidays. Open every other day 10 to 4.
Bus directions: From Market Street Station, take the 16th Street Mall shuttle up to Tremont and walk southwest. Any bus that goes to the corner of Broadway and Colfax, such as the 7, will also get pretty close.

When I visited the Denver Firefighters Museum (DFM) last Saturday (before I went to the Five Points Jazz Festival), I started with the video guide, which advised visitors to speak quietly and forbade them to run. Alas, the family playing in the fire truck was breaking all the rules, their voices echoing in the open room, but it was pleasant noise, if a little deafening at times.

I spent two hours at the museum and barely made it to the second floor. I liked the DFM a lot. It’s a family-friendly museum, Downtown Denver Firefighters Museum wagons May 2009though I think young children would like it best. After I saw a little girl calling 9-1-1 on the plastic phone and saying, “My house is on fire” in a serious voice, I just had to do that myself. It made me feel all emotional. Then I turned around to face a pair of teenage girls. I was mortified.

In the early days of firefighting in Denver, before the 1870s, the volunteers’ motto was “We Raze to Save.” In other words, there wasn’t too much they could do about a fire except to pull down the burning building to keep the fire from spreading to adjacent structures.

And there wasn’t much protective gear until the 1920s, when equipment developed for miners made its way to firefighters. Before that, early firefighters could only hope their beards would protect them. When they had to go into a smoke-filled room, they would wet the beard and clench it between their teeth, thus filtering the smoke.

I learned such things and many more at the DFM, which is not too far from West Colfax, the Denver Mint, other government buildings, and hotels such as the Sheraton. It occupies Denver Station 1, which, oddly enough, was the second Station 1.ffm-exterior-may-2009 In 1909 it replaced the first Station 1, and once Denverites’ safety from fires was ensured by the brand-spanking-new station, the city tore down the old one and built the Pioneer Monument at Colfax and Broadway in 1910. So the next time you’re standing by the Denver Post building and looking at that statue, remember that was the location of the first fire station in Denver.

Since 1975, Station 1 has been located at Colfax and Speer. The old station became the museum, and one of its strategies for survival was to run a restaurant on the second floor (sadly, now closed).

This photograph is a detail from a hand-drawn pumper, Downtown Denver Firefighters Museum pumper detail May 2009purchased in 1867, which required 15 men to pull it and 15 men at a time to pump it. The DFM has several different fire wagons, from ladder wagons to the steam engines used from the 1880s to the 1920s to more modern engines.